Sunday, December 11, 2011

"He is my brother. But I must kill him."


I am half way through The Old Man and the Sea by Ernest Hemingway. The point of view switches from third to first person frequently, with the old man’s thoughts running into the narration of the story. The old man considers the fish he has caught his brother, but he is still determined to kill it. He feels sorry for it, he loves it and pities it, but he does not question what he must do to it. Not being a fisherman, I cannot fully understand that concept, but I respect it. The man respects the fish, he calls it noble, but all the while, he is wishing it dead. His love for the great fish cannot interfere with his need to catch it. To make him feel better he thinks of all the people the fish could feed, but even so he knows no one would be worthy of eating the fish.
I have no respect for people who kill animals just to kill them – for the thrill of the hunt, for the pride of having the head mounted on a wall to brag about, or in excess, so many carcasses go to waste so it is not just a waste of a life but a waste of whatever little good might have come from its death. But I do have some respect for the old man, who only kills as much has he needs to feed himself and others. He was brought up this way, he says that fishing is what he was born to do, and it is what he must do to survive. It is how he makes his living, it is his way of life, and he though he does not like that he must kill his brother, the fish, he knows that this is how life works, and what he must do. This relates to my last blog post about Hamlet’s musings on the circle of life. The old man only knows that this is the way things are, they cannot be changed, the fish must die.
The old man recounts the story of the marlin he and the boy had caught, with the male fish that refused to leave the female even after she had been caught, dragged aboard, and killed. The old man remembers how sad he and the boy were about the situation, so they said sorry and butchered her promptly. Their sorrow for the lover-fish was separated from their requirement to catch the fish. The old man has very strong emotions, he feels deeply for everything, the ocean, the moon, the stars, the fish. But he keeps these emotions separated from his job, which must be to kill that which he loves. It is an outstanding feat that he can do this, seeing as his line of work makes him go against all his emotions.
The old man has much determination, and it never even crosses his mind to give up and let the fish go, not when it starts pulling him out past the sight of land, or when he is in so much pain from holding the line. This must be the determination of a fisherman. The fish (as of yet) has not even begun to slow down or show any signs of weakness, but the man does not even think of admitting defeat. He is determined to outlast the fish and catch it, despite all the risk he is putting himself in. He is either very courageous or very stupid to continue on this journey out to sea, and I am conflicted as to who I want to see come away alive.
I have become attached to the old man as he reminisces and switches his trains of thought and talks to himself and to the fish all alone out on the open sea. But his thoughts and feelings for the fish are so heart-felt that I feel for the fish as well, and I do not want him to be caught. I would love for them both to win, but with him being a fisherman, the only way he can win is by catching a fish, and so the fish must die for the man to win. It is a sort of “neither can live while the other survives” situation, so I guess I’d rather they both die, than have only one live. I do not know if Hemmingway intended for his audience to feel so strongly for both the man and the fish, or if it is just me being all animal-lover-human-hater. Even though the man kills animals for a living, because I know so much about him I cannot help but sympathize with him. I would think that Hemmingway intended this to be so because of how the old man describes his love for the fish in the personal first-person, making the reader think as the old man thinks, and feel as he feels. This is a clever strategy, making the reader unsure of how he/she wants the story to end, and so building the suspense and keeping the reader interested to find out what actually happens. This story makes me think about many things, I have not even mentioned all the language, the use of Spanish, religion, the interconnectedness of all things, and many other ideas that this book brings to my attention, and hopefully I will have many more ideas to mull over once I finish the book.